Roll rudiments · 4 of 40
Multiple Bounce Roll
The buzz roll. Let each stroke crush into the head.
Big letter = full stroke · filled = accent · small letters ahead = the grace hand. Notation reads as on a practice-pad sheet: accents marked >, slashed small notes are grace notes, z on the stem is a buzz. R rings higher than L, so you can hear the hands.
What it is
The buzz roll, or press roll: each stroke is pressed into the head so it multiplies into a buzz, and the buzzes overlap into one continuous sound. It is what an orchestral snare roll is.
How to practise it
- Fulcrum pressure controls the buzz. Too much and it chokes; too little and you hear separate bounces.
- Practise the hand-to-hand overlap slowly so no gap opens between one buzz and the next.
- Start where every stroke is deliberate, around 60–80 BPM, and only speed up when it feels boring. When it is clean, take it to the tempo trainer and let trainer mode climb from where you are.
Take it further
- Open in the rudiment trainer →Step through all 40, shuffle, and (for members) random practice that deals you a new one every few loops.
- Log the sessionNote the BPM you reached, and next time starts where this one stopped.
- Why rudiments matter, and where to startThe five to learn first, and how to get them off the pad and onto the kit.
More roll rudiments
Singles, doubles and buzzes, and the numbered rolls built from them. Rolls are where hand control and evenness come from.
- Single Stroke RollThe foundation. Perfectly even, both hands identical.
- Single Stroke FourWritten as a triplet plus one — land the accent on the beat.
- Single Stroke SevenSix fast notes into an accent. Written as sextuplet plus one.
- Triple Stroke RollThree even strokes per hand — bounce control heaven.
- Double Stroke Open RollTwo matched strokes per hand. The second note is the hard one.
- Five Stroke RollTwo doubles into an accent, alternating lead each time.
- Six Stroke RollAccents book-end the doubles. A groove staple.
- Seven Stroke RollThree doubles, one accent. Traditionally same lead every time.
- Nine Stroke RollFour doubles into the accent — a full beat of roll.
- Ten Stroke RollFour doubles and two accented singles.
- Eleven Stroke RollFive doubles into the accent.
- Thirteen Stroke RollSix doubles into the accent.
- Fifteen Stroke RollSeven doubles into the accent.
- Seventeen Stroke RollEight doubles into the accent. Marathon chops.