DrumFaster

Zildjian L80 vs Sabian Quiet Tone | How quiet?

The three low volume cymbal sets worth buying, side by side: how quiet each one really is, what survives the drop in volume, and which one suits you.

Hear it

Zildjian L80 against Sabian Quiet Tone, same room, same player — the two sets everyone cross-shops, played back to back in a shop — listen past the volume and to what is left of the tone

If you have decided you want low volume cymbals — and if you have not, that guide is the one to read first — the choice has narrowed to three. Zildjian’s L80 is the one everybody has heard of. Sabian’s Quiet Tone is the one that keeps more of the cymbal in it. Agean’s R Series is real B20 bronze with the holes drilled through it.

They are not trying to do the same thing. One is chasing silence, one is chasing tone, and one is somewhere in the middle. Which means the right answer depends entirely on who is on the other side of your wall.

Let’s take them apart.

The short answer

Buy the Zildjian L80 if the point is the neighbours. It is the quietest of the three by a clear margin, it is everywhere, and at the price it is the default for a reason.

Buy the Sabian Quiet Tone if you want to practise on something that still sounds a bit like a cymbal. It gives up some of the silence to keep a real bell and a bit more body, and the four-piece set is a genuinely complete setup.

Buy the Agean R Series if this is not really a practice set at all — if you want something you can take to a quiet gig, a restaurant, a church hall or a session where a full cymbal would be too much. It is bronze, it sounds like bronze, and it is the loudest thing here.

If you are buying blind and you just want it to work: L80.

Zildjian L80 vs Sabian Quiet Tone vs Agean R Series, as sold in a box set
SpecZildjian L8014" hats, 16" crash, 18" crash-rideSabian Quiet Tone14" hats, 16" and 18" crashes, 20" rideAgean R Series14" hats, 16" crash, 20" rideOur take
Price band UK: £250–£300 US: $370–$420 EU: €290–€350 UK: £300–£360 US: $385–$500 EU: €350–€420 UK: £350–£450 US: $400–$550 EU: €400–€500Street prices, new, at the time of writing. They move; the links below are live.
MaterialA proprietary alloy with a matte finishA proprietary alloy Sabian rates as dent-proofB20 bronze, hand-made in IstanbulOnly the Agean is a real cymbal alloy, and you can hear it the moment it is hit. Everything below follows from this row.
How quietUp to 80 per cent quieter; the stick is louder than the cymbalQuiet, with a little more left in the roomQuietest-in-name-only; think a soft acoustic cymbalIf somebody is asleep on the other side of the wall, this is the only row that matters.
Tone that survivesVery little; a dry tick with a hint of pitchNoticeably more body and a proper bell noteRich, clear and recognisably a cymbalThe straight inverse of the row above, which is the whole trade in this category.
BellPresent, but thinDefined and musical — Sabian made a point of itA real bell, because it is a real cymbalThe L80 bell is the weakest part of the set. If you ride on the bell, notice that now.
Feel and reboundNatural stick response, light under the stickVery close to a normal Sabian; the most cymbal-like of the two practice setsIdentical to a normal cymbal, because it is oneA draw, and the reason this category exists: all three are miles better under the stick than a rubber pad.
Hi-hatsClean chick, very quiet, a little clackyFuller chick with more tone in the open soundProper hi-hats at a lower volumeThe Quiet Tone hats are the pick if your practice is mostly groove work.
Range beyond the boxWidest by far: splashes, chinas, extra crashes, multiple sizesGood: extra crashes, rides and a chinaGood, but you are ordering from a smaller makerZildjian treats L80 as a real line. Expanding later is easiest here.
What the set gives youHats, crash, crash-ride — three piecesHats, two crashes and a ride — four piecesHats, crash, ride — three pieces plus a bagThe Quiet Tone box is the most complete kit of cymbals for the money.
Buying oneEvery shop, everywhereEvery shop, everywhereSpecialists and direct; stock can be thinThe Agean is worth hunting for. It is still a hunt.
Gigging with themNoOnly somewhere very quietYes — this is what it is forAn R Series set earns its money at low-volume gigs, which no practice cymbal can do.
PriceThe cheapest of the threeMid, and the most cymbals per poundFull cymbal money, because they are full cymbalsThe L80 is the cheapest way into the category and always has been.
Where to buyGuitar Center 🇺🇸Gear4music 🇬🇧Thomann 🇪🇺Reverb · usedGuitar Center 🇺🇸Gear4music 🇬🇧Thomann 🇪🇺Reverb · usedGuitar Center 🇺🇸Gear4music 🇬🇧Thomann 🇪🇺Reverb · usedAffiliate links to the shop for your region; buying through them costs you nothing extra.
Rows won3 of 112 of 113 of 11A count, not a verdict: the rows that matter to you are the ones to weigh.

✓ marks the row's winner. Prices are bands, not quotes: 🇬🇧 UK · 🇺🇸 US · 🇪🇺 EU.

How quiet is quiet?

Quiet enough to matter, not quiet enough to be silent. Every set here still makes a noise when you hit it, and downstairs will still know you are playing. What changes is whether it is a noise anybody minds.

A Zildjian L80, a Sabian Quiet Tone and an Agean R low volume cymbal side by side, showing three different hole patterns and finishes
Left to right: the L80’s fine, dense perforations; the Quiet Tone’s larger open holes in a pale alloy; and the Agean’s drilled B20 bronze, which still looks like a cymbal because it is one. Photos: Zildjian, Sabian and Agean

The L80 is the extreme end. Zildjian drill hundreds of holes through a soft alloy and the result is a cymbal where the sound of the stick landing is genuinely louder than the cymbal itself. It is astonishing the first time and slightly depressing the tenth, because there is almost nothing musical left. For a flat at eleven at night, that is exactly right.

Here are two of them against a normal cymbal set, so you have a reference for exactly what has been taken away:

What the holes cost you

Two things, and it is worth knowing both before you spend.

The first is dynamics. A quiet cymbal has a narrow range between a tap and a smash, so you can practise for six months on L80s and lose the habit of playing into a crash. Fix it by going back to your real cymbals now and then, and by doing your dynamics work — our accents and dynamics lesson — on the loud kit when you get the chance.

The second is the bell and the ride. Ride patterns need definition to be any use, and on the quietest sets the ping goes first. If most of your practice is jazz or anything ride-led, that pushes you up the table towards the Quiet Tone or the Agean.

The cheaper way in

None of the above is cheap, and you do not have to start there. Thomann’s Millenium Still series and Gear4music’s WHD sets both claim the same 80 per cent reduction for a fraction of the money, and for a first practice set they are perfectly good — a little less consistent, a little less refined, and nobody will ever know. Our main low volume cymbals guide covers both, along with how the category works and why the holes are there.

The other half of a quiet setup is the drums themselves, which is what mesh heads are for. Low volume cymbals on a kit with normal heads solves half a problem.

Who should buy which

  • A flat, a shared house, a sleeping baby. Zildjian L80. Quietest wins.
  • A garage or a spare room where some noise is fine. Sabian Quiet Tone. You get to enjoy practising.
  • Quiet gigs, dep work, acoustic sets, church. Agean R Series. The only one that can do a job.
  • Practising mostly ride patterns and jazz. Quiet Tone at least, Agean if you can.
  • Buying online without hearing them. L80. They are the known quantity.
  • Building a quiet kit from nothing, tight budget. Millenium or WHD now, and put the difference into mesh heads.

Whichever you land on, the quiet kit is only worth having if you actually use it — pair it with the tempo trainer and those late sessions will move your playing on properly. And when it is time to choose the loud cymbals, the cymbal buying guide is the next one to read.

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